Vertaling en analyse van woorden door kunstmatige intelligentie ChatGPT
Op deze pagina kunt u een gedetailleerde analyse krijgen van een woord of zin, geproduceerd met behulp van de beste kunstmatige intelligentietechnologie tot nu toe:
- hoe het woord wordt gebruikt
- gebruiksfrequentie
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- etymologie
Wat (wie) is H R Van Dongen - definitie
, oil on canvas, 129.5 x 195.5 cm.jpg?width=200 "abbr=on}}")
![Nouveau Musée National de Monaco]]](https://commons.wikimedia.org/wiki/Special:FilePath/Kees Van Dongen, 1907-08, Les lutteuses (Lutteuses du Tabarin), oil on canvas, 105.5 x 164 cm, Nouveau Musée National de Monaco.jpg?width=200 "Nouveau Musée National de Monaco]]")
![abbr=on}}, [[Hermitage Museum]]](https://commons.wikimedia.org/wiki/Special:FilePath/Kees van Dongen, 1911, Lucie and her Partner, oil on canvas, 130 x 96.5 cm, Hermitage Museum.jpg?width=200 "abbr=on}}, [[Hermitage Museum]]")
, oil on canvas, 195 x 97 cm.jpg?width=200 "abbr=on}}")
![abbr=on}}, [[National Gallery of Denmark]]](https://commons.wikimedia.org/wiki/Special:FilePath/Kees van Dongen, c.1907-08, The Dancer Anita, oil on canvas, 130.5 x 97 cm, National Gallery of Denmark.jpg?width=200 "abbr=on}}, [[National Gallery of Denmark]]")
, oil on canvas, 98 cm x 79 cm.jpg?width=200 "abbr=on}}")
, oil on canvas, 146.5 x 114.3 cm.jpg?width=200 "abbr=on}}")
![abbr=on}}, [[Musée national d'art moderne]]](https://commons.wikimedia.org/wiki/Special:FilePath/Kees van Dongen, before 1920, Mme Jasmy Alvin, oil on canvas, 195 x 131.5 cm, Musée national d'art moderne.jpg?width=200 "abbr=on}}, [[Musée national d'art moderne]]")
![abbr=on}}, [[Musée d'Art Moderne de Paris]]](https://commons.wikimedia.org/wiki/Special:FilePath/Kees van Dongen, 1920, Le sphinx, oil on canvas, 146 x 113 cm, Musée d'Art Moderne de la Ville de Paris.jpg?width=200 "abbr=on}}, [[Musée d'Art Moderne de Paris]]")
Wikipedia
Cornelis Theodorus Maria "Kees" van Dongen (26 January 1877 – 28 May 1968) was a Dutch-French painter who was one of the leading Fauves. Van Dongen's early work was influenced by the Hague School and symbolism and it evolved gradually into a rough pointillist style. From 1905 onwards – when he took part at the controversial 1905 Salon d'Automne exhibition – his style became more and more radical in its use of form and colour. The paintings he made in the period of 1905–1910 are considered by some to be his most important works. The themes of his work from that period are predominantly centered on the nightlife; he paints dancers, singers, masquerades, and theatre. Van Dongen gained a reputation for his sensuous – at times garish – portraits of especially women.
